Broadway rang in more than a billion for the 2011 calendar year, with “Wicked” once again claiming the title of the year’s top grosser. Though the 2010 chart was dominated by long-running successes, In the year 2011, two big-earning newbies — “Spider-Man: Turn Off the Dark” and “The Book of Mormon” – show potential for longer runs.
The $1.08 billion total reps the cume from the 52-week period ending Dec. 25. (Next year will be one of the calendar’s periodic 53-week seshes.) The 2011 tally is up by some $44 million over the prior frame — no surprise, given rising ticket prices and increasing prominence of premium-ticket sales. Attendance, on the other hand, just barely showed an uptick — by about 25,000 theatergoers to 12.13 million.
Last year saw longtime top dog “Wicked” unseated multiple times from its habitual perch by both “Lion King” and “Spider-Man.” Still, “Wicked” finished first often enough to maintain its status as the highest-grossing Broadway show for the eighth year in a row, the only production ever to do so. “The Phantom of the Opera” also has been a top annual grosser for eight years, but those years weren’t consecutive.
For its part, “Lion King” can tout its unusually strong B.O. performance heading into its 15th year on Broadway. The show’s holiday-week tally of $2.4 million was its best ever on the Rialto; the same frame saw the tuner break house records in Las Vegas and on the road as well.
It was “Spider-Man” that provided the biggest shakeup in the year-end charts, overcoming much-publicized tech troubles and nasty reviews to gross $69 million for the year. There’s no guarantee the show will continue to maintain that momentum for another year, but given the $2.9 million tally logged by the musical for the week ending Jan. 1, it’s clear producers know how take advantage of high-demand periods.
There’s also “Book of Mormon,” with a $51 million total that placed it right behind the $52.3 million belted out by “Jersey Boys.” The Broadway edition of “Mormon” likely won’t approach the pile of money earned by “Wicked” or “Lion King” because of its venue’s substantially smaller seating capacity, but the strength of those figures suggest the Tony winner could be adding to the Broadway pot for a considerable while.
Read the complete news {Via Variety.com}
