Wicked Broadway slided to the second rank grossing $1,349,433, compared to $1,455,329 for The Book of Mormon. Wicked had only 90.6% attendance rate. The 23 shows on the boards grossed $15,024,833, dropping slightly over 7% from the previous week’s totals.

Below are the Top 14 Grosses from BroadwayWorld.com for the week ending February 05, 2012.

1. The Book Of Mormon – (EUGENE O’NEILL) $1,455,329
2. Wicked – (GERSHWIN) $1,349,433
3. Spider-Man Turn Off The Dark – (FOXWOODS) $1,268,002
4. The Lion King – (MINSKOFF) $1,226,681
5. Porgy And Bess – (RICHARD RODGERS) $905,134
6. War Horse – (VIVIAN BEAUMONT) $860,311
7. Jersey Boys – (AUGUST WILSON) $816,388
8. The Phantom Of The Opera – (MAJESTIC) $638,467
9. Mary Poppins – (NEW AMSTERDAM) $600,499
10. Priscilla Queen Of The Desert – (PALACE) $582,932
11. Anything Goes – (STEPHEN SONDHEIM) $575,400
12. How To Succeed In Business Without Really Trying – (AL HIRSCHFELD) $573,887
13. Mamma Mia! – (WINTER GARDEN) $551,069
14. Memphis – (SHUBERT) $540,866

Broadway rang in more than a billion for the 2011 calendar year, with “Wicked” once again claiming the title of the year’s top grosser. Though the 2010 chart was dominated by long-running successes, In the year 2011, two big-earning newbies — “Spider-Man: Turn Off the Dark” and “The Book of Mormon” – show potential for longer runs.

The $1.08 billion total reps the cume from the 52-week period ending Dec. 25. (Next year will be one of the calendar’s periodic 53-week seshes.) The 2011 tally is up by some $44 million over the prior frame — no surprise, given rising ticket prices and increasing prominence of premium-ticket sales. Attendance, on the other hand, just barely showed an uptick — by about 25,000 theatergoers to 12.13 million.

Last year saw longtime top dog “Wicked” unseated multiple times from its habitual perch by both “Lion King” and “Spider-Man.” Still, “Wicked” finished first often enough to maintain its status as the highest-grossing Broadway show for the eighth year in a row, the only production ever to do so. “The Phantom of the Opera” also has been a top annual grosser for eight years, but those years weren’t consecutive.

For its part, “Lion King” can tout its unusually strong B.O. performance heading into its 15th year on Broadway. The show’s holiday-week tally of $2.4 million was its best ever on the Rialto; the same frame saw the tuner break house records in Las Vegas and on the road as well.

It was “Spider-Man” that provided the biggest shakeup in the year-end charts, overcoming much-publicized tech troubles and nasty reviews to gross $69 million for the year. There’s no guarantee the show will continue to maintain that momentum for another year, but given the $2.9 million tally logged by the musical for the week ending Jan. 1, it’s clear producers know how take advantage of high-demand periods.

There’s also “Book of Mormon,” with a $51 million total that placed it right behind the $52.3 million belted out by “Jersey Boys.” The Broadway edition of “Mormon” likely won’t approach the pile of money earned by “Wicked” or “Lion King” because of its venue’s substantially smaller seating capacity, but the strength of those figures suggest the Tony winner could be adding to the Broadway pot for a considerable while.

Read the complete news {Via Variety.com}

Wicked Broadway grossed $1,656,955 and had a 91.8% attendance rate, about 8% less than the previous Thanksgiving week. The 33 shows on the boards grossed $23,795,690, slipping around 16.7% from the previous week’s totals.

Below are the Top 13 Grosses from BroadwayWorld.com for the week ending December 04, 2011.

1. The Lion King – (MINSKOFF) $1,682,555
2. Wicked – (GERSHWIN) $1,656,955
3. Hugh Jackman, Back On Broadway – (BROADHURST) $1,520,929
4. Spider-Man Turn Off The Dark – (FOXWOODS) $1,385,685
5. The Book Of Mormon – (EUGENE O’NEILL) $1,374,003
6. Jersey Boys – (AUGUST WILSON) $1,045,834
7. War Horse – (VIVIAN BEAUMONT) $958,523
8. How To Succeed In Business Without Really Trying – (AL HIRSCHFELD) $902,752
9. On A Clear Day You Can See Forever – (ST. JAMES) $796,869
10. Sister Act – (BROADWAY) $787,283
11. Mary Poppins – (NEW AMSTERDAM) $784,417
12. Priscilla Queen Of The Desert – (PALACE) $740,283
13. Billy Elliot: The Musical – (IMPERIAL) $728,353

{Via BroadwayWorld.com}

For the third week in November, Wicked Broadway grossed $937,930 and had a 92% attendance rate, about 5% less than the previous week. The 34 shows on the boards grossed $22,924,362, slipping just under 4% from the previous week’s totals.

Below are the Top 10 Grosses from BroadwayWorld.com for the week ending November 20, 2011.

1. Wicked – (GERSHWIN) $1,535,489
2. The Lion King – (MINSKOFF) $1,532,701
3. Hugh Jackman, Back On Broadway – (BROADHURST) $1,468,189
4. The Book Of Mormon – (EUGENE O’NEILL) $1,367,805
5. Spider-Man Turn Off The Dark – (FOXWOODS) $1,304,416
6. War Horse – (VIVIAN BEAUMONT) $974,635
7. Jersey Boys – (AUGUST WILSON) $937,930
8. How To Succeed In Business Without Really Trying – (AL HIRSCHFELD) $901,957
9. Sister Act – (BROADWAY) $770,286
10. On A Clear Day You Can See Forever – (ST. JAMES) $742,449
11. Billy Elliot: The Musical – (IMPERIAL) $715,453
12. Priscilla Queen Of The Desert – (PALACE) $709,720
13. Follies – (MARQUIS) $698,776

{Via BroadwayWorld.com}

Wicked Broadway remained #1 for the week ending October 16, 2011, grossing $1,675,421 and had a 99.7% attendance rate. The 26 shows on the boards grossed $21,328,673, climbing 8.1% from the previous week’s totals.

Below are the Top 13 Grosses from BroadwayWorld.com for the week ending October 16, 2011.

1. Wicked – (GERSHWIN) $1,675,421
2. The Lion King – (MINSKOFF) $1,669,563
3. Spider-Man Turn Off The Dark – (FOXWOODS) $1,574,705
4. The Book Of Mormon – (EUGENE O’NEILL) $1,333,950
5. Jersey Boys – (AUGUST WILSON) $1,068,613
6. Follies – (MARQUIS) $1,037,906
7. War Horse – (VIVIAN BEAUMONT) $990,180
8. How To Succeed In Business Without Really Trying – (AL HIRSCHFELD) $988,154
9. The Phantom of the Opera – (MAJESTIC) $898,830
10. Priscilla Queen Of The Desert – (PALACE) $860,673
11. Anything Goes – (STEPHEN SONDHEIM) $850,308
12. Mamma Mia! – (WINTER GARDEN) $847,844
13. Billy Elliot: The Musical – (IMPERIAL) $814,662

{Via BroadwayWorld.com}

On Broadway, Wicked grossed $1,830,739 with 100% attendance rate for the week ending June 26, 2011. The 30 shows on the boards grossed $23,765,758, increasing nearly 4% from the previous week’s totals.

Below are the Top 13 Grosses for the week ending June 26, 2011.

1. Wicked – (GERSHWIN) $1,830,739
2. The Lion King – (MINSKOFF) $1,748,215
3. Spider-Man Turn Off The Dark – (FOXWOODS) $1,702,866
4. The Book Of Mormon – (EUGENE O’NEILL) $1,215,619
5. Mary Poppins – (NEW AMSTERDAM) $1,103,991
6. Jersey Boys – (AUGUST WILSON) $1,068,423
7. How To Succeed In Business Without Really Trying – (AL HIRSCHFELD) $1,054,587
8. The Phantom of the Opera – (MAJESTIC) $1,006,430
9. Sister Act – (BROADWAY) $990,657
10. War Horse – (VIVIAN BEAUMONT) $960,285
11. Billy Elliot: The Musical – (IMPERIAL) $951,214
12. Mamma Mia! – (WINTER GARDEN) $892,334
13. Memphis – (SHUBERT) $864,550

{Via BroadwayWorld.com}

Broadway box offices were busy places last week – 11 musicals made more than $1 million of which Wicked was Big seller again.

The Broadway League said Monday that total grosses for the week ending Sunday soared to $28.9 million, up from $23.8 million the week before.

The numbers, boosted by vacationers, did not even need “Spider-Man: Turn Off the Dark,” which was on hiatus.

Making the millionaire’s club were perennial big sellers “Wicked,” “Mary Poppins,” “Jersey Boys,” “The Addams Family,” “The Phantom of the Opera,” “Billy Elliot,” “Mamma Mia!” and “The Lion King.” Two new hot tickets were “How to Succeed in Business Without Really Trying,” “The Book of Mormon” and the outgoing “American Idiot.”

On Broadway, Wicked grossed $1,388,574 with 98.1% attendance rate for the week ending March 6, 2011. The 26 shows on the boards grossed $15,042,072, dropping nearly 18% from the previous week’s totals.

Below are the Top 10 Grosses for the week ending March 6, 2011.

1. Wicked – (GERSHWIN) $1,388,574
2. Spider-Man Turn Off The Dark – (FOXWOODS) $1,281,776
3. The Lion King – (MINSKOFF) $1,212,418
4. Jersey Boys – (AUGUST WILSON) $855,041
5. The Addams Family – (LUNT-FONTANNE) $811,934
6. Billy Elliot: The Musical – (IMPERIAL) $747,160
7. Memphis – (SHUBERT) $668,704
8. Mary Poppins – (NEW AMSTERDAM) $658,483
9. Priscilla, Queen of the Desert (PALACE) $657,804
10. The Phantom of the Opera – (MAJESTIC) $637,364

{Via BroadwayWorld.com}

On Broadway, Wicked grossed $1,526,036 and had a 97.4% attendance rate for the week ending February 20, 2011 and was 0.5% more than the last week. Wicked reported increase over the previous week’s box office. Last week’s biggest earning show on Broadway wasn’t “Wicked” or “Spider-Man: Turn Off the Dark.” It was an old show (Lion King) that can still roar. The 22 shows on the boards grossed $16,930,141, 10.77% more than that of the previous week.

Below are the Top 10 Grosses for the week ending February 20, 2011.

1. The Lion King – (MINSKOFF) $1,534,779
2. Wicked – (GERSHWIN) $1,526,036
3. Spider-Man Turn Off The Dark – (FOXWOODS) $1,476,828
4. American Idiot – (ST. JAMES) $1,144,030
5. The Merchant Of Venice – (BROADHURST) $1,125,273
6. Jersey Boys – (AUGUST WILSON) $986,328
7. The Addams Family – (LUNT-FONTANNE) $949,966
8. Billy Elliot: The Musical – (IMPERIAL) $873,024
9. Mary Poppins – (NEW AMSTERDAM) $870,028
10. MAMMA MIA! – (WINTER GARDEN) $764,201

{Via BroadwayWorld.com}

On Broadway, Wicked grossed $1,436,121 and had a 96.9% attendance rate for the week ending February 13, 2011 and was 7.9% more than the last week. Wicked grabs the top seat again. The 22 shows on the boards grossed $15,106,300, 16.23% more than that of the previous week.

Below are the Top 10 Grosses for the week ending February 13, 2011.

1. Wicked – (GERSHWIN) $1,436,121
2. Spider-Man Turn Off The Dark – (FOXWOODS) $1,330,014
3. The Lion King – (MINSKOFF) $1,282,552
4. The Merchant Of Venice – (BROADHURST) $1,105,451
5. Jersey Boys – (AUGUST WILSON) $981,264
6. American Idiot – (ST. JAMES) $977,545
7. Billy Elliot: The Musical – (IMPERIAL) $796,659
8. The Addams Family – (LUNT-FONTANNE) $755,197
9. Mary Poppins – (NEW AMSTERDAM) $754,417
10. Memphis – (SHUBERT) $705,850

{Via BroadwayWorld.com}