Week Ending November 16, 2025 – Broadway Box Office Update
The Land of Oz continues its spectacular run at the Gershwin Theatre, with Wicked once again proving why it is a powerhouse of the Broadway box office. For the week ending November 16, 2025, the musical posted a remarkable gross of $2,389,650.
This enormous number is coupled with a flawless 100.00% attendance rate, demonstrating that demand to see the untold story of the witches of Oz remains absolutely consistent, filling every single seat at every performance—the same perfect attendance rate as the previous week!
This week with 34 shows Broadway grossed $40,196,255, dropping around 1.22% from the previous week’s totals.
Below are the Top 25 Grosses from BroadwayWorld.com for the week ending November 16, 2025.
1. Hamilton – (RICHARD RODGERS) $3,852,326
2. Harry Potter And The Cursed Child – (LYRIC) $2,594,468
3. Wicked – (GERSHWIN) $2,389,650
4. Chess – (IMPERIAL) $1,779,560
5. The Lion King – (MINSKOFF) $1,760,710
6. Mamma Mia! – (WINTER GARDEN) $1,582,093
7. Waiting For Godot – (HUDSON) $1,539,114
8. Art – (MUSIC BOX THEATRE) $1,535,293
9. Just In Time – (CIRCLE IN THE SQUARE) $1,426,314
10. Death Becomes Her – (LUNT-FONTANNE) $1,286,969
11. Ragtime – (VIVIAN BEAUMONT) $1,286,176
12. Oh, Mary! – (LYCEUM) $1,247,081
13. Maybe Happy Ending – (BELASCO) $1,218,382
14. The Great Gatsby – (BROADWAY) $1,185,149
15. MJ the Musical – (NEIL SIMON) $1,171,091
16. The Queen Of Versailles – (ST. JAMES) $1,065,302
17. Buena Vista Social Club – (SCHOENFELD) $1,054,939
18. The Outsiders – (JACOBS) $1,000,054
19. Aladdin – (NEW AMSTERDAM) $975,783
20. Beetlejuice – (PALACE) $950,138
21. Stranger Things: The First Shadow – (MARQUIS) $935,367
22. Moulin Rouge! The Musical – (AL HIRSCHFELD) $922,632
23. Oedipus – (STUDIO 54) In Previews $856,978
24. The Book of Mormon – (EUGENE O’NEILL) $848,046
25. Hadestown – (WALTER KERR) $799,325
{Via BroadwayWorld.com}
The ability of Wicked to consistently outperform other massive hits like The Lion King and newly trending titles speaks volumes about its enduring legacy and fan base. It is truly a green-for-show, green-for-go success story, dominating the charts and cementing its position as one of Broadway’s most valuable—and magical—productions.
